I made march3 to march3 as a way to move through a year of photos after a breakup. The project pulls from my camera roll between March 3, 2025 and March 3, 2026, treating the archive as something emotional rather than fixed. Some images are blurred, others are pulled forward or repeated, reflecting how memory shifts, fades, and sharpens over time.
It functions like a loose diary, but also as a way of reorganizing and sitting with the archive. Instead of presenting a clear narrative, the piece moves through fragments and moments, letting patterns and feelings surface on their own. It became a way to process the year, using the camera roll as both record and material.
I made march3 to march3 as a way to move through a year of photos after a breakup. The project pulls from my camera roll between March 3, 2025 and March 3, 2026, treating the archive as something emotional rather than fixed. Some images are blurred, others are pulled forward or repeated, reflecting how memory shifts, fades, and sharpens over time.
It functions like a loose diary, but also as a way of reorganizing and sitting with the archive. Instead of presenting a clear narrative, the piece moves through fragments and moments, letting patterns and feelings surface on their own. It became a way to process the year, using the camera roll as both record and material.